Talk:Archival Evidence

Here are my notes so far. I spent considerably more time with the Dial than the Criterion last week. :: ''The Dial'' :: Published October 1922 (November issue) in New York. Sections of poem not enumerated I, II, III, IV, V. Schnitzler, Weinstein, “Made in Germany” – German contributions, post-war, with Waste Land’s war themes, universal war not anti-Germany right now. WB Yeats’ play The Player Queen is right after the Waste Land. Schnitzler: October Graesler starts with “XII (continued)” – an installment of a novel transalted from German. Picasso drawings of naked women lounging – was this not scandal? ''Date?'' Also paintings of nude/acrobats by Duncan Grant. ''Who is he?'' Adolph Dehn. “Drinkers” during Prohibition… "Any Marriages" by Sherwood Anderson starts with Chapter IV, and goes into ch 1 or Book Two, possibly to leave suspense to look for the rest of part 2. “Paris Letter” by Ezra Pound. Lots of interesting stuff on the first page: 1. “literature is regarded in America as an advertising medium.” 2. “our brilliant contemporary Mr T.S. Eliot constantly assures us that he is about to pursue [the attempt to disentangle our national qualities]” (our = US and British). “Comment” about children’s book week. Sarcastic and hilarious! Ads: for art shows, bookshops, books, other periodicals. Ad layouts are like modern theater playbills; modern play programs are laid out much like this whole magazine with ads in the front and back and written or photgraphic content in the middle. Feels more like a magazine because of ads. The Waste Land is the very first written contribution, only preceded by one watercolor painting. Perhaps because Eliot had been living in GB for a while by now and was perhaps more like a featured contributor – not included on the “notable contributors” page. :: ''The Criterion'' :: Published October 1922 in London. No ads. Looks like a book from cover to cover. No images. The Waste Land is in the middle of the publication --Elizabeth 09/08/2012 10:53pm

Here are my notes so far. I spent considerably more time with the Dial than the Criterion last week. :: ''The Dial'' :: Published October 1922 (November issue) in New York. Sections of poem not enumerated I, II, III, IV, V. Schnitzler, Weinstein, “Made in Germany” – German contributions, post-war, with Waste Land’s war themes, universal war not anti-Germany right now. WB Yeats’ play The Player Queen is right after the Waste Land. Schnitzler: October Graesler starts with “XII (continued)” – an installment of a novel transalted from German. Picasso drawings of naked women lounging – was this not scandal? ''Date?'' Also paintings of nude/acrobats by Duncan Grant. ''Who is he?'' Adolph Dehn. “Drinkers” during Prohibition… "Any Marriages" by Sherwood Anderson starts with Chapter IV, and goes into ch 1 or Book Two, possibly to leave suspense to look for the rest of part 2. “Paris Letter” by Ezra Pound. Lots of interesting stuff on the first page: 1. “literature is regarded in America as an advertising medium.” 2. “our brilliant contemporary Mr T.S. Eliot constantly assures us that he is about to pursue [the attempt to disentangle our national qualities]” (our = US and British). “Comment” about children’s book week. Sarcastic and hilarious! Ads: for art shows, bookshops, books, other periodicals. Ad layouts are like modern theater playbills; modern play programs are laid out much like this whole magazine with ads in the front and back and written or photgraphic content in the middle. Feels more like a magazine because of ads. The Waste Land is the very first written contribution, only preceded by one watercolor painting. Perhaps because Eliot had been living in GB for a while by now and was perhaps more like a featured contributor – not included on the “notable contributors” page. :: ''The Criterion'' :: Published October 1922 in London. No ads. Looks like a book from cover to cover. No images. The Waste Land is in the middle of the publication --Elizabeth 09/08/2012 10:53pm