Biblical References

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:the word of the Lord from Jerusalem.
 
:the word of the Lord from Jerusalem.
  
Although this quotation does not explicitly say that events necessarily take place in these mountains, Mount Zion maintains its place as a significant location in the bible.  The law originating within Mount Zion is another indication of this, and its position within the prominent biblical town of Jerusalem supports this as well.  However, in this context, Mt. Zion is not associated with the heavy themes of betrayal as in the Last Supper.
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Although this quotation does not explicitly say that events necessarily take place in these mountains, Mount Zion maintains its place as a significant location in the bible.  The law originating within Mount Zion is another indication of this, and its position within the prominent biblical town of Jerusalem supports this as well.  However, in this context, Mount Zion is not associated with the heavy themes of betrayal as in the Last Supper, but instead signifies the law. Perhaps in Isaiah, when they are instructed to "go into the rocks," the rocks refer to the mountains themselves; they are requested to hide within the laws--or rather, to obey the laws--to avoid the wrath of God.  In the context of ''The Waste Land'', this allusion is subtle, but nevertheless means something similar in terms of modern times.  The "shadow" refers to the sentiments associated with the post-war world--the helplessness and distress--and calls others to wallow in this feeling of despair.
 
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===[["A Game of Chess" Annotations|A Game of Chess]]===
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===[["The Fire Sermon" Annotations|The Fire Sermon]]===
 
===[["The Fire Sermon" Annotations|The Fire Sermon]]===
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These two locations--Brahmayoni Temple and Church of the Beatitudes--are connected by a line on the map to represent their association with one another.  This line draws the loose connection between ''The Waste Land'' and the Bible.
 
These two locations--Brahmayoni Temple and Church of the Beatitudes--are connected by a line on the map to represent their association with one another.  This line draws the loose connection between ''The Waste Land'' and the Bible.
  
These two sermons relate the strong passions and desires prevalent in religion, specifically the temptations, to the emotionally devoid state that prevailed during modern times.  The burning passions and righteous blessings present preached in Buddha's and Jesus' speech act as ironic fragments within the work.  They emphasize the absence of emotion--or the loss of faith and hope--within modern society.
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These two sermons relate the strong passions and desires prevalent in religion, specifically the temptations, to the emotionally devoid state that prevailed during modern times.  The burning passions and righteous blessings preached in Buddha's and Jesus' speech act as ironic fragments within the work.  They contrast the feelings of despair, emphasizing the absence of emotion--or the loss of faith and hope--within modern society.
  
 
===[["Death by Water" Annotations|Death by Water]]===
 
===[["Death by Water" Annotations|Death by Water]]===
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     Gentile or Jew
 
     Gentile or Jew
   
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     O you who turn the wheel and look to windward,
     O you who turn the wheel and look to windward,  
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     Consider Phlebas, who was once handsome and tall as you. (ln 319-321)
 
     Consider Phlebas, who was once handsome and tall as you. (ln 319-321)
  
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:there is no one who does good,
 
:there is no one who does good,
 
::not even one.”
 
::not even one.”
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These verses reflect the same sentiments found in ''The Waste Land'', talking of a universal hopelessness in any who believe themselves to be righteous.  ''The Waste Land'' quote that reads, "Consider Phlebas, who was once handsome and tall as you," while unrelated to the bible, has some connections to this verse in other ways.  It, too, reflects the feeling of hopelessness in regards to inevitable death.  A couple stanzas prior to this one outlines his fate:
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    Phlebas the Phoenician, a fortnight dead,
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    Forgot the cry of gulls, and the deep sea swell
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    And the profit and loss.
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Phlebas, despite whatever virtuous qualities he possessed, meets the same fate as all others.  These lines request that others do not get fooled into thinking otherwise, similar to the verses in Roman 3.
  
 
===[["What the Thunder Said" Annotations|What the Thunder Said]]===
 
===[["What the Thunder Said" Annotations|What the Thunder Said]]===
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     With a little patience                                  330
 
     With a little patience                                  330
  
This scene alludes to John 18:3.  Specifically the imagery in this scene is suggestive of the garden of Gethsemane, which can be seen on the map thusly named.  In John 18, Jesus is betrayed by Peter and the Jews
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This scene alludes to John 18:3.  Specifically the imagery in this scene is suggestive of the garden of Gethsemane, which can be seen on the map thusly named.  In John 18, Jesus is betrayed by Peter and the Jews.  The verse that this section alludes to follows:
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:So Judas came to the grove, guiding a detachment of soldiers and some officials from the chief priests and Pharisees.
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:They were carrying torches, lanterns and weapons.
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Luke 22:44 is another section that is also about the betrayal of Christ.  This chapter includes a story about the Last Supper and the betrayal from within the disciples—from Judas himself.  Luke 22:44 reads as such:
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:And being in anguish, he prayed more earnestly, and his sweat was like drops of blood falling to the ground.
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Luke 22:44 is another section that is also about the betrayal of ChristThis chapter includes a story about the Last Supper and the betrayal from within the disciples—from Judas himself.   
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Again, Eliot utilizes biblical allusions to incorporate this theme of betrayal within his poetryAlthough betrayal is not very evident in these lines, he does capture the distress and despair in these lines.   
  
==Summary==
 
  
  
 
Back to [[Shoring Up Fragments Against Our Ruin: Quotations and Allusions]]
 
Back to [[Shoring Up Fragments Against Our Ruin: Quotations and Allusions]]

Latest revision as of 15:45, 8 December 2012

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