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(Pieces of Work Influenced By Eliot and The Waste Land)
(Fiona Shaw Performance)
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Interesting in its own right is the filming technique of the performance itself. Because Shaw's performance is a solo act, there is not a lot of camera work required to capture it. As a result, many of the camera angles are reminiscent of a documentary interview (see images below).
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Interesting in its own right is the filming technique of the performance itself. Because Shaw's performance is a solo act, there is not a lot of camera work required to capture it. As a result, many of the camera angles are reminiscent of a documentary interview (see images below). Suddenly, each new speaker within the poem becomes, in a sense, its own interview. Rather than a crowd of random voices, these characters get a chance to offer their testimony of their experiences. This can be seen in the opening lines of the poem as Shaw (in
  
  
  
http://www.markstucker.com/images/frame-grabs/male7-interview-shot-480.jpg
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http://www.markstucker.com/images/frame-grabs/male7-interview-shot-480.jpg
http://news.bbcimg.co.uk/media/images/60140000/jpg/_60140177_wasteland_fiona.jpg
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==Pieces of Work Influenced By Eliot and The Waste Land==
 
==Pieces of Work Influenced By Eliot and The Waste Land==

Revision as of 19:24, 18 September 2014

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