User:Toby Decker
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When "The Waste Land" first appeared in the November 1922 issue of the American periodical, ''The Dial'', it was preceded by Robert Delaunay's painting entitled, "Saint Severin No. 3." There is no information to suggest whether the juxtaposition of the two works was ever approved of by Eliot, but neither is there information indicate that Eliot opposed the placement of Delaunay's painting at the opening of Eliot's masterful poem. The editorial choice certainly is an interesting one, especially considering that the works were created nearly ten years apart. Perhaps Delaunay's piece was selected for publication because it demonstrated the painter's divergence from what had been previously produced--just as Eliot's "Waste Land" deviated from foregoing precedent. | When "The Waste Land" first appeared in the November 1922 issue of the American periodical, ''The Dial'', it was preceded by Robert Delaunay's painting entitled, "Saint Severin No. 3." There is no information to suggest whether the juxtaposition of the two works was ever approved of by Eliot, but neither is there information indicate that Eliot opposed the placement of Delaunay's painting at the opening of Eliot's masterful poem. The editorial choice certainly is an interesting one, especially considering that the works were created nearly ten years apart. Perhaps Delaunay's piece was selected for publication because it demonstrated the painter's divergence from what had been previously produced--just as Eliot's "Waste Land" deviated from foregoing precedent. | ||
