Brittain's Modernist Techniques

In the reading for this week, I was especially struck by how Brittain deals with the grief of Roland's death and her brother Edward's death. What struck me so much was the difference in style right after these events happen. After Roland's death, Brittain's style suddenly changes. Instead of writing in the past tense as she has been, she writes in the present tense: “I am back on night duty”; “I am buying some small accessories for my uniform in a big Victoria Street store”; “It is Wednesday, and I am walking up the Brixton Road” (Brittain 240). These strategies make the time dilate, and they make the reader feel like time is going very slowly, but in actuality each paragraph or two is a full day. This technique was very effective because it shows how the time one experiences after a loved one's death feels so strange, and that you are going through the motions of life without fully feeling them. Brittain shows this very well here through her techniques and focus on the small things like walking, buying stuff for her uniform, or when she is working. 

However, to contrast that with Edward's death, nothing in her style changes after her brother dies. She is obviously distraught and upset, but it does not actually effect the style of her writing in the same way Roland's does. I am interested in this because after Edward dies, she explains that she is a machine: “My only hope now was to become a complete automaton, working mechanically and no longer even pretending to be animated by ideals” (450); “Having become, at last, the complete automaton, moving like a sleep-walker thought the calm atmosphere of Millbank, I was no longer capable of either enthusiasm or fear” (458). She also states that Roland's death was different because, since it was at the beginning of the war, they had more consolation letters sent to respond to and thus were forced to face death more often. Both of these ideas seem to me to show more of the style that she used when describing the days after Roland’s death, and yet they are not employed here. Does anyone have any thoughts on this?

Comments

These are thoughtful observations. I agree that Brittain's narration style after Roland's death was effective in illustrating her thoughts and emotions during this time. Perhaps this was an attempt at Brittain trying to recognize that she had matured between Roland's death and Edward's? Before, as you noted, Roland's death was affecting not only her thoughts but her actions as well. She was moving about like a zombie and time was passing slowly. Now, after Edward's death, she has become a machine that doesn't act based on emotions or events going on in the world around her. She has matured in such a way that she feels deeply about Edward's death but she doesn't let it affect her writing. Just a theory!