Photograph

Its memorial stones

Its memorial stones, beneath which the noble dust of the Abbots of Combray who lay buried there furnished the choir with a sort of spiritual pavement, were themselves no longer hard and lifeless matter, for time had softened them and made them flow like honey beyond their proper margins, here oozing out in a golden stream, washing from its place a florid Gothic capital, drowning the white violets of the marble floor, and elsewhere reabsorbed into their limits, contracting still further a crabbed Latin inscription, bringing a fresh touch of fantasy into the arrangement of its curtailed characters, closing together two letters of some word of which the rest were disproportionately distended.

Narrative Context: 
Lunchtime memory Combray church choir
Image: 
Église St.-Jacques chapel altar and window, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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How I loved our church

How I loved our church, and how clearly I can see it still! The old porch by which we entered, black, and full of holes as a colander, was worn out of shape and deeply furrowed at the sides (as also was the font to which it led us) just as if the gentle friction of the cloaks of peasant-women coming into church, and of their fingers dipping into the holy water, had managed by age-long repetition to acquire a destructive force, to impress itself on the stone, to carve grooves in it like those made by cart-wheels upon stone gate-posts which they bump against every day.

Narrative Context: 
Lunchtime memory Combray church porch
Image: 
Église St.-Jacques porch, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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No, no, Mme Octave, they like it well enough

     "No, no, Mme Octave, they like it well enough. They'll be coming back from church soon as hungry as hunters, and they won't turn their noses up at their asparagus, you'll see."
     "Church! Why, they must be there now; you'd better not lose any time. Go and look after your lunch."
     While my aunt was gossiping on in this way with Françoise I accompanied my parents to mass.

Narrative Context: 
Lunchtime memory Léonie and Françoise gossiping Mass
Image: 
Église St.-Jacques seen from rue de Chartres, Illiers-Combray || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pics.html
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It was Françoise

It was Françoise, motionless and erect, framed in the small doorway of the corridor like the statue of a saint in its niche. When we had grown more accustomed to this religious darkness we could discern in her features the disinterested love of humanity, the tender respect for the gentry, which the hope of receiving New Year bounty intensified in the nobler regions of her heart.

Narrative Context: 
Memory of Aunt Léonie
Image: 
Statue, Lady of Miracles || Source - N/A
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Combray at a distance

Combray at a distance, from a twenty-mile radius, as we used to see it from the railway when we arrived there in the week before Easter, was no more than a church epitomising the town, representing it, speaking of it and for it to the horizon, and as one drew near, gathering close about its long, dark cloak, sheltering from the wind, on the open plain, as a shepherdess gathers her sheep, the woolly grey backs of its huddled houses, which the remains of its mediaeval ramparts enclosed, here and there, in an outline as scrupulously circular as that of a little town in a primitive painting.

Narrative Context: 
Combray landscape
Image: 
The road into Illiers-Combray || http://perso.wanadoo.fr/illiers-combray.asepic/pages/proustien/proust.html
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