Gender

On leaving the church we would stay chatting for a moment with M. Vinteuil

     On leaving the church we would stay chatting for a moment with M. Vinteuil in front of the porch. Boys would be chasing one another in the Square, and he would intervene, taking the side of the little ones and lecturing the big. If his daughter said in her gruff voice how glad she had been to see us, immediately it would seem as though a more sensitive sister within her had blushed at this thoughtless, schoolboyish utterance which might have made us think that she was angling for an invitation to the house. Her father would then arrange a cloak over her shoulders, they would clamber into a little dog-cart which she herself drove, and home they would both go to Montjouvain. As for ourselves, the next day being Sunday, with no need to be up and stirring before high mass, if it was a moonlight night and warm, my father, in his thirst for glory, instead of taking us home at once would lead us on a long walk round by the Calvary, which my mother’s utter incapacity for taking her bearings, or even for knowing which road she might be on, made her regard as a triumph of his strategic genius.

Narrative Context: 
End of Mass at Combray church; return home
Image: 
Église St.-Jacques porch and market, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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M. Vinteuil had come in with his daughter

M. Vinteuil had come in with his daughter and had sat down beside us.

Narrative Context: 
Mass at Combray church
Image: 
Église St.-Jacques nave and altar, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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But, as I said to this artist

But, as I said to this artist, who, by the way, seems to be a most civil fellow, and is a regular virtuoso, it appears, with the brush, what on earth do you find so extraordinary in this window, which is if anything a little dingier than the rest?”
     “I am sure that if you were to ask the Bishop,” said my aunt in a resigned tone, for she had begun to feel that she was going to be “tired,” “he would never refuse you a new window.”
     “You may depend upon it, Mme Octave,” replied the Curé. “Why, it was his Lordship himself who started the outcry about the window, by proving that it represented Gilbert the Bad, a lord of Guermantes and a direct descendant of Genviève de Brabant who was a daughter of the House of Guermantes, receiving absolution from Saint Hilaire.”
     “But I don’t see where Saint Hilaire comes in.”
     “Why yes, have you never noticed, in the corner of the window, a lady in a yellow robe? Well, that’s Saint Hilaire, who is also known, you will remember, in certain parts of the country as Saint Illiers, Saint Hélier, and even, in the Jura, Saint Ylie. But these various corruptions of Sanctus Hilarius are by no means the most curious that have occurred in the names of the blessed. Take, for example, my good Eulalie, the case of your own patron, Sancta Eulalia; do you know what she has become in Burgundy? Saint Eloi, nothing more nor less! The lady has become a gentleman. Do you hear that, Eulalie—after you’re dead they’ll make a man out of you!”

Narrative Context: 
Curé discussing Combray church window
Image: 
Stained glass, Église St.-Jacques, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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