Steeple

     It was the steeple of Saint-Hilaire that shaped and crowned and consecrated every occupation, every hour of the day, every view in the town. From my bedroom window I could discern no more than its base, which had been freshly covered with slates; but when, on a Sunday, I saw these blaze like a black sun in the hot light of a summer morning, I would say to myself: “Good heavens! nine o’clock! I must get ready for mass at once if I am to have time to go in and kiss aunt Léonie first,” and I would know exactly what was the colour of the sunlight upon the Square, I could feel the heat and dust of the market, the shade thrown by the awning of the shop into which Mamma would perhaps go on her way to mass, penetrating its odour of unbleached calico, to purchase a handkerchief or something which the draper, bowing from the waist, would order to be shown to her while, in readiness for shutting up, he went into the back shop to put on his Sunday coat and to wash his hands, which it was his habit, every few minutes, even in the most melancholy circumstances, to rub together with an air of enterprise, cunning, and success.

And as in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity, sprang into being, town and gardens alike, from my cup of tea.