Desire for woman

Now the chapel from which she was following the service

Now the chapel from which she was following the service was that of Gilbert the Bad, beneath the flat tombstones of which, yellowed and bulging like cells of honey in a comb, rested the bones of the old Counts of Brabant; and I remembered having heard it said that this chapel was reserved for the Guermantes family, whenever any of its members came to attend a ceremony at Combray; hence there was only one woman resembling the portrait of Mme de Guermantes who on that day, the very day on which she was expected to come there, could conceivably be sitting in that chapel: it was she! My disappointment was immense. It arose from my not having borne in mind, when I thought of Mme de Guermantes, that I was picturing her to myself in the colours of a tapestry or a stained-glass window, as living in another century, as being of another substance than the rest of the human race.

Narrative Context: 
First sighting of Mme de Guermantes; Mass
Image: 
Coronotion of Queen Esther (Tapestry) || Source - N/A
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One day my mother said to me

     One day my mother said to me: “You’re always talking about Mme de Guermantes. Well, Dr Percepied took great care of her when she was ill four years ago, and so she’s coming to Combray for his daughter’s wedding. You’ll be able to see her in church.” It was from Dr Percepied, as it happened, that I had heard most about Mme de Guermantes, and he had even shown us the number of an illustrated paper in which she was depicted in the costume she had worn at a fancy dress ball given by the Princesse de Léon.
     Suddenly, during the nuptial mass, the verger, by moving to one side, enabled me to see in one of the chapels a fair-haired lady with a large nose, piercing blue eyes, a billowy scarf of mauve silk, glossy and new and bright, and a little pimple at the corner of her nose.

Narrative Context: 
First sighting of Mme de Guermantes; Mass
Image: 
Inflatable Church || Source - http://www.inflatablechurch.com
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Alas, it was in vain that I implored the castle-keep of Roussainville

     Alas, it was in vain that I implored the castle-keep of Roussainville, that I begged it to send out to meet me some daughter of its village, appealing to it as to the sole confidant of my earliest desires when, at the top of our house in Combray, in the little room that smelt of orris-root, I could see nothing but its tower framed in the half-opened window as, with the heroic misgivings of a traveller setting out on a voyage of exploration or of a desperate wretch hesitating on the verge of self-destruction, faint with emotion, I explored, across the bounds of my own experience, an untrodden path which for all I knew was deadly—until the moment when a natural trail like that left by a snail smeared the leaves of the flowering currant that drooped around me. In vain did I call upon it now. In vain did I compress the whole landscape into my field of vision, draining it with an exhaustive gaze which sought to extract from it a female creature. I might go as far as the porch of Saint-André-des-Champs: never did I find there the peasant-girl whom I should not have failed to meet had I been with my grandfather and thus unable to engage her in conversation.

Narrative Context: 
Walking the Méséglise way alone
Image: 
Chartres statues, West porch, central portal, left jamb || Source - Jeff Drouin, 6 July 2004
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I found an additional merit in everything that was in my mind at the moment

I found an additional merit in everything that was in my mind at the moment, in the pink reflection of the tiled roof, the grass growing out of the wall, the village of Roussainville into which I had long desired to penetrate, the trees of its wood and the steeple of its church, as a result of this fresh emotion which made them appear more desirable only because I thought it was they that had provoked it, and which seemed only to wish to bear me more swiftly towards them when it filled my sails with a potent, mysterious and propitious breeze.

Narrative Context: 
Walking the Méséglise way alone
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