Aristocracy

Now the chapel from which she was following the service

Now the chapel from which she was following the service was that of Gilbert the Bad, beneath the flat tombstones of which, yellowed and bulging like cells of honey in a comb, rested the bones of the old Counts of Brabant; and I remembered having heard it said that this chapel was reserved for the Guermantes family, whenever any of its members came to attend a ceremony at Combray; hence there was only one woman resembling the portrait of Mme de Guermantes who on that day, the very day on which she was expected to come there, could conceivably be sitting in that chapel: it was she! My disappointment was immense. It arose from my not having borne in mind, when I thought of Mme de Guermantes, that I was picturing her to myself in the colours of a tapestry or a stained-glass window, as living in another century, as being of another substance than the rest of the human race.

Narrative Context: 
First sighting of Mme de Guermantes; Mass
Image: 
Coronotion of Queen Esther (Tapestry) || Source - N/A
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Henceforth, more often than not when I thought of her

Henceforth, more often than not when I thought of her, I would see her standing before the porch of a cathedral, explaining to me what each of the statues meant, and with a smile which was my highest commendation, presenting me as her friend to Bergotte. And invariably the charm of all the fancies which the thought of cathedrals used to inspire in me, the charm of the hills and valleys of the Ile-de-France and of the plains of Normandy, would be reflected in the picture I had formed in my mind's eye of Mlle Swann; nothing more remained but to know and to love her.

Narrative Context: 
Fantasy of Gilberte, Bergotte
Image: 
Chartres South porch || Source - Jeff Drouin, 6 July 2004
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Whenever he spoke of something

Whenever he spoke of something whose beauty had until then remained hidden from me, of pine-forests or of hail-storms, of Notre-Dame Cathedral, of Athalie or of Phèdre, by some piece of imagery he would make their beauty explode into my consciousness.

Narrative Context: 
Reading Bergotte
Image: 
Notre-Dame West porch, left portal, Paris || Source - Jeff Drouin, 3 July 2004
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There were two tapestries of high warp

     There were two tapestries of high warp representing the coronation of Esther (tradition had it that the weaver had given to Ahasuerus the features of one of the kings of France and to Esther those of a lady of Guermantes whose lover he had been), to which the colours, in melting into one another, had added expression, relief and light: a touch of pink over the lips of Esther had strayed beyond their outline; the yellow of her dress was spread so unctuously, so thickly, as to have acquired a kind of solidity, and stood out boldly against the receding background; while the green of the trees, still bright in the lower parts of the panel of silk and wool, but quite “gone” at the top, brought out in a paler tone, above the dark trunks, the yellowing upper branches, gilded and half-obliterated by the sharp though sidelong rays of an invisible sun.

Narrative Context: 
Lunchtime memory Combray church tapestries
Image: 
Tapestry of meaning - Esther (or Hester) appears before Assuerus || Source - http://mw.mcmaster.ca/images/dbase/Costume/0015w.jpg
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