Urban

     As we were liable, there, to meet M. Vinteuil, who held very strict views on "the deplorable slovenliness of young people, which seems to be encouraged these days," my mother would first see that there was nothing out of order in my appearance, and then we would set out for the church. It was in the "Month of Mary" that I remember having first fallen in love with hawthorns. Not only were they in the church, where, holy ground as it was, we had all of us a right of entry, but arranged upon the altar itself, inseparable from the mysteries in whose celebration they participated, thrusting in among the tapers and the sacred vessels their serried branches, tied to one another horizontally in a stiff, festal scheme of decoration still further embellished by the festoons of leaves, over which were scattered in profusion, as over a bridal train, little clusters of buds of a dazzling whiteness. Though I dared not look at it except through my fingers, I could sense that this formal scheme was made of living things, and that it was Nature herself who, by trimming the shape of the foliage, and by adding the crowning ornament of those snowy buds, had made the decorations worthy of what was at once a public rejoicing and a solemn mystery. Higher up on the altar, a flower had opened up here and there with a careless grace, holding so unconcernedly, like a final, almost vaporous adornment, its bunch of stamens, slender as a gossamer and entirely veiling each corolla, that in following, in trying to mimic to myself the action of their efflorescence, I imagined it as a swift and thoughtless movement of the head, with a provocative glance from her contracted pupils, by a young girl in white, insouciant and vivacious.

After lunch the sun, conscious that it was Saturday, would blaze an hour longer in the zenith, and when someone, thinking that we were late in starting for our walk, said, "What, only two o'clock!" on registering the passage of the twin strokes from the steeple of Saint-Hilaire (which as a rule met no one at that hour upon the highways, deserted for the midday meal or for the nap which follows it, or on the banks of the bright and ever-flowing stream, which even the angler had abandoned, and passed unaccompanied across the vacant sky, where only a few loitering clouds remained to greet them) the whole family would respond in chorus: "Why, you're forgetting we had lunch an hour earlier; you know very well it's Saturday."

     “But what is unquestionably the most remarkable thing about our church is the view from the belfry, which is full of grandeur. Certainly in your case, since you are not very strong, I should never recommend you to climb our ninety-seven steps, just half the number they have in the famous cathedral at Milan. It’s quite tiring enough for the most active person, especially as you have to bend double if you don’t wish to crack your skull, and you collect all the cobwebs off the staircase on your clothes. In any case you should be well wrapped up,” he went on, without noticing my aunt’s indignation at the mere suggestion that she could ever be capable of climbing into his belfry, “for there’s a strong breeze there once you get to the top. Some people even assure me that they have felt the chill of death up there. However, on Sundays there are always clubs and societies who come, often from a long way off, to admire our beautiful panorama, and they always go home charmed. For instance, next Sunday, if the weather holds, you’ll be sure to find a lot of people there, for Rogation-tide. No doubt about it, the view from up there is entrancing, with what you might call vistas over the plain, which have quite a special charm of their own. On a clear day you can see as far as Verneuil. And another thing; you can see at the same time places which you normally see one without the other, as, for instance, the course of the Vivonne and the irrigation ditches at Saint-Assise-lès-Combray, which are separated by a screen of tall trees, or again, the various canals at Jouy-le-Vicomte, which is Gaudiacus vice comitis, as of course you know. Each time I’ve been to Jouy I’ve seen a bit of canal in one place, and then I’ve turned a corner and seen another, but when I saw the second I could no longer see the first. I tried to put them together in my mind’s eye; it was no good. But from the top of Saint-Hilaire it’s quite another matter—a regular network in which the place is enclosed. Only you can’t see any water; it’s as though there were great clefts slicing up the town so neatly that it looks like a loaf of bread which still holds together after it has been cut up. To get it all quite perfect you would have to be in both places at once; up at the top of the steeple of Saint-Hilaire and down there at Jouy-le-Vicomte.”

Gilbert, wishing to be avenged on Charles, caused the church at Combray to be burned down, the original church, that was, which Théodebert, when he and his court left the country residence he had near here, at Thiberzy (which is, of course, Theodeberciacus), to go and fight the Burgundians, had promised to build over the tomb of Saint Hilaire if the saint brought him victory. Nothing remains of it now but the crypt, into which Théodore has probably taken you, for Gilbert burned all the rest. Finally, he defeated the unlucky Charles with the aid of William the Conqueror,” (the Curé pronounced it “Will’am), “which is why so many English still come to visit the place. But he does not appear to have managed to win the affection of the people of Combray, for they fell upon him as he was coming out from mass, and cut off his head. Théodore has a little book he lends people that tells the whole story.

Anyway, the church there has superb windows, almost all modern, including that most imposing ‘Entry of Louis-Philippe into Combray’ which would be more in keeping, surely, at Combray itself and which is every bit as good, I understand, as the famous windows at Chartres. Only yesterday I met Dr Percepied’s brother, who goes in for these things, and he told me that he regarded it as a very fine piece of work.

     “What is this I have been hearing, Father, about a painter setting up his easel in your church, and copying one of the windows? Old as I am, I can safely say that I have never heard of such a thing in all my life! What is the world coming to! And the ugliest thing in the whole church, too.”
     “I will not go so far as to say that it’s quite the ugliest , for although there are certain things in Saint-Hilaire which are well worth a visit, there are others that are very old now in my poor basilica, the only one in all the diocese that has never even been restored. God knows our porch is dirty and antiquated, but still it has a certain majesty. I’ll even grant you the Esther tapestries, which personally I wouldn’t give a brass farthing for, but which the experts place immediately after the ones at Sens. I can quite see, too, that apart from certain details which are—well, a trifle realistic—they show features which testify to a genuine power of observation. But don’t talk to me about the windows. Is it common sense, I ask you, to leave up windows which shut out all the daylight and even confuse the eyes by throwing patches of colour, to which I should be hard put to it to give a name, on to floor in which there are not two slabs on the same level and which they refuse to renew for me because, if you please, those are the tombstones of the Abbots of Combray and the Lords of Guermantes, the old Counts, you know, of Brabant, direct ancestors of the present Duc de Guermantes and of the Duchess too since she was a Mademoiselle de Guermantes who married her cousin?”

The Curé (an excellent man, with whom I now regret not having conversed more often, for, even if he cared nothing for the arts, he knew a great many etymologies), being in the habit of showing distinguished visitors over his church (he had even planned to compile a history of the parish of Combray), used to weary her with his endless commentaries which, incidentally, never varied in the least degree.

     "Heavens," said my aunt, slapping herself on the forehead, "that reminds me I never heard if she got to church this morning before the Elevation. I must remember to ask Eulalie... Françoise, just look at that black cloud behind the steeple, and how poor the light is on the slates. You may be certain it will rain before the day is out. It couldn't possibly go on like that, it's been too hot. And the sooner the better, for until the storm breaks my Vichy water won't go down," she added, since, in her mind, the desire to accelerate the digestion of her Vichy water was of infinitely greater importance than her fear of seeing Mme Goupil's new dress ruined.

Henceforth, more often than not when I thought of her, I would see her standing before the porch of a cathedral, explaining to me what each of the statues meant, and with a smile which was my highest commendation, presenting me as her friend to Bergotte. And invariably the charm of all the fancies which the thought of cathedrals used to inspire in me, the charm of the hills and valleys of the Ile-de-France and of the plains of Normandy, would be reflected in the picture I had formed in my mind's eye of Mlle Swann; nothing more remained but to know and to love her.

     "Are there any books in which Bergotte has written about Berma?" I asked M. Swann.
     "I think he has, in that little essay on Racine, but it must be out of print. Still, perhaps there has been a second impression. I'll find out. In fact I can ask Bergotte himself all you want to know next time he comes to dine with us. He never misses a week, from one year's end to another. He's my daughter's greatest friend. They go and look at old towns and cathedrals and castles together."