Exterior

You admit yourself that he appears there at church quite simply dressed

     "You admit yourself that he appears there at church quite simply dressed and all that; he hardly looks like a man of fashion." She added that in any event, even if, assuming the worst, he had been intentionally rude, it was far better for us to pretend that we had noticed nothing. And indeed my father himself, though more annoyed than any of us by the attitude which Legrandin had adopted, may still have held in reserve a final uncertainty as to its true meaning. It was like every attitude or action which reveals a man’s underlying character; they bear no relation to what he has previously said, and we cannot confirm our suspicions by the culprit’s own testimony, for he will admit nothing; we are reduced to the evidence of our own senses, and we ask ourselves, in the face of this detached and incoherent fragment of recollection, whether indeed our senses have not been the victims of a hallucination; with the result that such attitudes, which are alone of importance in indicating character, are the most apt to leave us in perplexity.

Narrative Context: 
Debate over Legrandin's snobbery or sincerity
Image: 
Église St.-Jacques façade and market, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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177

Alas! We had definitely to alter our opinion of M. Legrandin

     Alas! We had definitely to alter our opinion of M. Legrandin. On one of the Sundays following our meeting with him on the Pont-Vieux, after which my father had been forced to confess himself mistaken, as mass drew to an end and, with the sunshine and the noise of the outer world, something else invaded the church, an atmosphere so far from sacred that Mme Goupil, Mme Percepied (everyone, in fact, who not so long before, when I arrived a little late, had been sitting motionless, engrossed in their prayers, and who I might even have thought oblivious of my entry had not their feet moved slightly to push away the little kneeling-bench which was preventing me from getting to my chair) had begun to discuss with us out loud all manner of utterly mundane topics as though we were already outside in the Square, we saw Legrandin on the sunbaked threshold of the porch dominating the many-coloured tumult of the market, being introduced by the husband of the lady we had seen him with on the previous occasion to the wife of another large landed proprietor of the district. Legrandin’s face wore an expression of extraordinary zeal and animation; he made a deep bow, with a subsidiary backward movement which brought his shoulders sharply up into a position behind their starting-point, a gesture in which he must have been trained by the husband of his sister, Mme de Cambremer. This rapid straightening-up caused a sort of tense muscular wave to ripple over Legrandin’s rump, which I had not supposed to be so fleshy; I cannot say why, but this undulation of pure matter, this wholly carnal fluency devoid of spiritual significance, this wave lashed into a tempest by an obsequious alacrity of the basest sort, awoke my mind suddenly to the possibility of a Legrandin altogether different from the one we knew. The lady gave him some message for her coachman, and as he walked over to her carriage the impression of shy and respectful happiness which the introduction had stamped upon his face still lingered there. Rapt in a sort of dream, he smiled, then began to hurry back towards the lady; as he was walking faster than usual, his shoulders swayed backwards and forwards, right and left, in the most absurd fashion; and altogether he looked, so utterly had he abandoned himself to it, to the exclusion of all other considerations, as though he were the passive, wire-pulled puppet of his own happiness. Meanwhile we were coming out through the porch and were about to pass close beside him; he was too well bred to turn his head away, but he fixed his eyes, which had suddenly changed to those of a seer lost in the profundity of his vision, on so distant a point of the horizon that he could not see us and so had no need to acknowledge our presence. His face was as artless as ever above his plain, single-breasted jacket, which looked as though conscious of having been led astray and plunged willy-nilly into surroundings of detested splendour. And a spotted bow-tie, stirred by the breezes of the Square, continued to float in front of Legrandin like the standard of his proud isolation and his noble independence. When we reached the house my mother discovered that the baker had forgotten to deliver the cream tart and asked my father to go back with me and tell them to send it up at once. Near the church we met Legrandin coming towards us with the same lady, whom he was escorting to her carriage. He brushed past us, and did not interrupt what he was saying to her, but gave us, out of the corner of his blue eye, a little sign which began and ended, so to speak, inside his eyelids and which, as it did not involve the least movement of his facial muscles, managed to pass quite unperceived by the lady; but, striving to compensate by the intensity of his feelings for the somewhat restricted field in which they had to find expression, he made that blue chink which was set apart for us sparkle with all the zest of an affability that went far beyond mere playfulness, almost touched the border-line of roguery; he subtilised the refinements of good-fellowship into a wink of connivance, a hint, a hidden meaning, a secret understanding, all the mysteries of complicity, and finally elevated his assurances of friendship to the level of protestations and affection, even of a declaration of love, lighting up for us alone, with a secret and languid flame invisible to the chatelaine, an enamoured pupil in a countenance of ice.

Narrative Context: 
Beginning of Legrandin's defining moment as a snob
Image: 
The market near Église St.-Jacques, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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176

On leaving the church we would stay chatting for a moment with M. Vinteuil

     On leaving the church we would stay chatting for a moment with M. Vinteuil in front of the porch. Boys would be chasing one another in the Square, and he would intervene, taking the side of the little ones and lecturing the big. If his daughter said in her gruff voice how glad she had been to see us, immediately it would seem as though a more sensitive sister within her had blushed at this thoughtless, schoolboyish utterance which might have made us think that she was angling for an invitation to the house. Her father would then arrange a cloak over her shoulders, they would clamber into a little dog-cart which she herself drove, and home they would both go to Montjouvain. As for ourselves, the next day being Sunday, with no need to be up and stirring before high mass, if it was a moonlight night and warm, my father, in his thirst for glory, instead of taking us home at once would lead us on a long walk round by the Calvary, which my mother’s utter incapacity for taking her bearings, or even for knowing which road she might be on, made her regard as a triumph of his strategic genius.

Narrative Context: 
End of Mass at Combray church; return home
Image: 
Église St.-Jacques porch and market, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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159

After lunch the sun, conscious that it was Saturday

After lunch the sun, conscious that it was Saturday, would blaze an hour longer in the zenith, and when someone, thinking that we were late in starting for our walk, said, "What, only two o'clock!" on registering the passage of the twin strokes from the steeple of Saint-Hilaire (which as a rule met no one at that hour upon the highways, deserted for the midday meal or for the nap which follows it, or on the banks of the bright and ever-flowing stream, which even the angler had abandoned, and passed unaccompanied across the vacant sky, where only a few loitering clouds remained to greet them) the whole family would respond in chorus: "Why, you're forgetting we had lunch an hour earlier; you know very well it's Saturday."

Narrative Context: 
Description of Saturday lunch anachronism
Image: 
Chartres North porch || Source - Jeff Drouin, 6 July 2004
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154

The Curé

The Curé (an excellent man, with whom I now regret not having conversed more often, for, even if he cared nothing for the arts, he knew a great many etymologies), being in the habit of showing distinguished visitors over his church (he had even planned to compile a history of the parish of Combray), used to weary her with his endless commentaries which, incidentally, never varied in the least degree.

Narrative Context: 
Lecture on Combray and other cathedrals
Image: 
Église St.-Jacques façade, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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142

"Heavens," said my aunt, slapping herself on the forehead

     "Heavens," said my aunt, slapping herself on the forehead, "that reminds me I never heard if she got to church this morning before the Elevation. I must remember to ask Eulalie... Françoise, just look at that black cloud behind the steeple, and how poor the light is on the slates. You may be certain it will rain before the day is out. It couldn't possibly go on like that, it's been too hot. And the sooner the better, for until the storm breaks my Vichy water won't go down," she added, since, in her mind, the desire to accelerate the digestion of her Vichy water was of infinitely greater importance than her fear of seeing Mme Goupil's new dress ruined.

Narrative Context: 
Predicting weather
Image: 
Église St.-Jacques seen from Place du Marechal Maunory, Illiers-Combray || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pics.html
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140

Henceforth, more often than not when I thought of her

Henceforth, more often than not when I thought of her, I would see her standing before the porch of a cathedral, explaining to me what each of the statues meant, and with a smile which was my highest commendation, presenting me as her friend to Bergotte. And invariably the charm of all the fancies which the thought of cathedrals used to inspire in me, the charm of the hills and valleys of the Ile-de-France and of the plains of Normandy, would be reflected in the picture I had formed in my mind's eye of Mlle Swann; nothing more remained but to know and to love her.

Narrative Context: 
Fantasy of Gilberte, Bergotte
Image: 
Chartres South porch || Source - Jeff Drouin, 6 July 2004
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139

Are there any books in which Bergotte has written about Berma?

     "Are there any books in which Bergotte has written about Berma?" I asked M. Swann.
     "I think he has, in that little essay on Racine, but it must be out of print. Still, perhaps there has been a second impression. I'll find out. In fact I can ask Bergotte himself all you want to know next time he comes to dine with us. He never misses a week, from one year's end to another. He's my daughter's greatest friend. They go and look at old towns and cathedrals and castles together."

Narrative Context: 
Speaking with Swann about Bergotte
Image: 
Bayeux from the Southeast || Source - http://www.marcel-proust-gesellschaft.de/cpa/kathedralen-pics.html
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137

Whenever he spoke of something

Whenever he spoke of something whose beauty had until then remained hidden from me, of pine-forests or of hail-storms, of Notre-Dame Cathedral, of Athalie or of Phèdre, by some piece of imagery he would make their beauty explode into my consciousness.

Narrative Context: 
Reading Bergotte
Image: 
Notre-Dame West porch, left portal, Paris || Source - Jeff Drouin, 3 July 2004
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For in his later books

For in his later books, if he had hit upon some great truth, or upon the name of an historic cathedral, he would break off his narrative, and in an invocation, an apostrophe, a long prayer, would give free reign to those exhalations which, in earlier volumes, had been immanent in his prose, discernible only in a rippling of its surface, and perhaps even more delightful, more harmonious when they were thus veiled, when the reader could give no precise indication of where their murmuring began or where it died away.

Narrative Context: 
Reading Bergotte
Image: 
Notre-Dame South porch seen from Left Bank, Paris || Source - Jeff Drouin, 3 July 2004
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