Urban

The hedge resembled a series of chapels

The hedge resembled a series of chapels, whose walls were no longer visible under the mountains of flowers that were heaped upon their altars; while beneath them the sun cast a chequered light upon the ground, as though it had just passed through a stained-glass window; and their scent swept over me, as unctuous, as circumscribed in its range, as though I had been standing before the Lady-altar, and the flowers, themselves adorned also, held out each its little bunch of glittering stamens with an absent-minded air, delicate radiating veins in the flamboyant style like those which, in the church, framed the stairway to the rood-loft or the mullions of the windows and blossomed out into the fleshy whiteness of strawberry-flowers. How simple and rustic by comparison would seem the dog-roses which in a few weeks' time would be climbing the same path in the heat of the sun, dressed in the smooth silk of their blushing pink bodices that dissolve in the first breath of wind.

Narrative Context: 
Description of the hawthorns in Swann's estate
Image: 
Église St.-Jacques gallery window, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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193
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194

The absence of Mlle Swann

     The absence of Mlle Swann, which—since it preserved me from the terrible risk of seeing her appear on one of the paths, and of being identified and scorned by this privileged little girl who had Bergotte for a friend and used to go with him to visit cathedrals—made the exploration of Tansonville, now for the first time permissible, a matter of indifference to myself, seemed on the contrary to invest the property, in my grandfather's and my father's eyes, with an added attraction, a transient charm, and (like an entirely cloudless sky when one is going mountaineering) to make the day exceptionally propitious for a walk around it; I should have liked to see their reckoning proved false, to see, by a miracle, Mlle Swann appear with her father, so close to us that we should not have time to avoid her, and should therefore be obliged to make her acquaintance.

Narrative Context: 
Description of the hawthorns in Swann's estate
Image: 
Chartres North porch || Source - Jeff Drouin, 6 July 2004
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192

But what I did understand was that Legrandin was not altogether truthful

But what I did understand was that Legrandin was not altogether truthful when he said that he cared only for churches, moonlight, and youth; he cared also, he cared a very great deal, for people who lived in country houses, and in their presence was so overcome by fear of incurring their displeasure that he dared not let them see that he numbered among his friends middle-class people, the sons of solicitors and stockbrokers, preferring, if the truth must come to light, that it should do so in his absence, a long way away, and "by default." In a word, he was a snob.

Narrative Context: 
Legrandin disclaiming knowledge of Guermantes
Image: 
Église St.-Jacques façade and market, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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180

In my heart of hearts I care for nothing in the world now but a few churches

In my heart of hearts I care for nothing in the world now but a few churches, two or three books and pictures, and the light of the moon when the fresh breeze of your youth wafts to my nostrils the scent of gardens whose flowers my old eyes can no longer distinguish."

Narrative Context: 
Legrandin disclaiming knowledge of Guermantes
Image: 
Cathedral of Mantes (1865/9), by Jean-Baptiste-Camille Corot || Source - The Artchive - http://www.artchive.com
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179

You admit yourself that he appears there at church quite simply dressed

     "You admit yourself that he appears there at church quite simply dressed and all that; he hardly looks like a man of fashion." She added that in any event, even if, assuming the worst, he had been intentionally rude, it was far better for us to pretend that we had noticed nothing. And indeed my father himself, though more annoyed than any of us by the attitude which Legrandin had adopted, may still have held in reserve a final uncertainty as to its true meaning. It was like every attitude or action which reveals a man’s underlying character; they bear no relation to what he has previously said, and we cannot confirm our suspicions by the culprit’s own testimony, for he will admit nothing; we are reduced to the evidence of our own senses, and we ask ourselves, in the face of this detached and incoherent fragment of recollection, whether indeed our senses have not been the victims of a hallucination; with the result that such attitudes, which are alone of importance in indicating character, are the most apt to leave us in perplexity.

Narrative Context: 
Debate over Legrandin's snobbery or sincerity
Image: 
Église St.-Jacques façade and market, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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177

Alas! We had definitely to alter our opinion of M. Legrandin

     Alas! We had definitely to alter our opinion of M. Legrandin. On one of the Sundays following our meeting with him on the Pont-Vieux, after which my father had been forced to confess himself mistaken, as mass drew to an end and, with the sunshine and the noise of the outer world, something else invaded the church, an atmosphere so far from sacred that Mme Goupil, Mme Percepied (everyone, in fact, who not so long before, when I arrived a little late, had been sitting motionless, engrossed in their prayers, and who I might even have thought oblivious of my entry had not their feet moved slightly to push away the little kneeling-bench which was preventing me from getting to my chair) had begun to discuss with us out loud all manner of utterly mundane topics as though we were already outside in the Square, we saw Legrandin on the sunbaked threshold of the porch dominating the many-coloured tumult of the market, being introduced by the husband of the lady we had seen him with on the previous occasion to the wife of another large landed proprietor of the district. Legrandin’s face wore an expression of extraordinary zeal and animation; he made a deep bow, with a subsidiary backward movement which brought his shoulders sharply up into a position behind their starting-point, a gesture in which he must have been trained by the husband of his sister, Mme de Cambremer. This rapid straightening-up caused a sort of tense muscular wave to ripple over Legrandin’s rump, which I had not supposed to be so fleshy; I cannot say why, but this undulation of pure matter, this wholly carnal fluency devoid of spiritual significance, this wave lashed into a tempest by an obsequious alacrity of the basest sort, awoke my mind suddenly to the possibility of a Legrandin altogether different from the one we knew. The lady gave him some message for her coachman, and as he walked over to her carriage the impression of shy and respectful happiness which the introduction had stamped upon his face still lingered there. Rapt in a sort of dream, he smiled, then began to hurry back towards the lady; as he was walking faster than usual, his shoulders swayed backwards and forwards, right and left, in the most absurd fashion; and altogether he looked, so utterly had he abandoned himself to it, to the exclusion of all other considerations, as though he were the passive, wire-pulled puppet of his own happiness. Meanwhile we were coming out through the porch and were about to pass close beside him; he was too well bred to turn his head away, but he fixed his eyes, which had suddenly changed to those of a seer lost in the profundity of his vision, on so distant a point of the horizon that he could not see us and so had no need to acknowledge our presence. His face was as artless as ever above his plain, single-breasted jacket, which looked as though conscious of having been led astray and plunged willy-nilly into surroundings of detested splendour. And a spotted bow-tie, stirred by the breezes of the Square, continued to float in front of Legrandin like the standard of his proud isolation and his noble independence. When we reached the house my mother discovered that the baker had forgotten to deliver the cream tart and asked my father to go back with me and tell them to send it up at once. Near the church we met Legrandin coming towards us with the same lady, whom he was escorting to her carriage. He brushed past us, and did not interrupt what he was saying to her, but gave us, out of the corner of his blue eye, a little sign which began and ended, so to speak, inside his eyelids and which, as it did not involve the least movement of his facial muscles, managed to pass quite unperceived by the lady; but, striving to compensate by the intensity of his feelings for the somewhat restricted field in which they had to find expression, he made that blue chink which was set apart for us sparkle with all the zest of an affability that went far beyond mere playfulness, almost touched the border-line of roguery; he subtilised the refinements of good-fellowship into a wink of connivance, a hint, a hidden meaning, a secret understanding, all the mysteries of complicity, and finally elevated his assurances of friendship to the level of protestations and affection, even of a declaration of love, lighting up for us alone, with a secret and languid flame invisible to the chatelaine, an enamoured pupil in a countenance of ice.

Narrative Context: 
Beginning of Legrandin's defining moment as a snob
Image: 
The market near Église St.-Jacques, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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176

I began gradually to realise that Françoise's kindness

I began gradually to realise that Françoise's kindness, her compunction, her numerous virtues, concealed many of these kitchen tragedies, just as history reveals to us that the reigns of the kings and queens who are portrayed as kneeling with their hands joined in prayer in the windows of churches were stained by oppression and bloodshed.

Narrative Context: 
Reflection on Françoise after killing chicken
Image: 
Stained glass, cathedral of St.-Denis || Source - http://www.jpforms.net/gallery/photos/france/france.htm
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On leaving the church we would stay chatting for a moment with M. Vinteuil

     On leaving the church we would stay chatting for a moment with M. Vinteuil in front of the porch. Boys would be chasing one another in the Square, and he would intervene, taking the side of the little ones and lecturing the big. If his daughter said in her gruff voice how glad she had been to see us, immediately it would seem as though a more sensitive sister within her had blushed at this thoughtless, schoolboyish utterance which might have made us think that she was angling for an invitation to the house. Her father would then arrange a cloak over her shoulders, they would clamber into a little dog-cart which she herself drove, and home they would both go to Montjouvain. As for ourselves, the next day being Sunday, with no need to be up and stirring before high mass, if it was a moonlight night and warm, my father, in his thirst for glory, instead of taking us home at once would lead us on a long walk round by the Calvary, which my mother’s utter incapacity for taking her bearings, or even for knowing which road she might be on, made her regard as a triumph of his strategic genius.

Narrative Context: 
End of Mass at Combray church; return home
Image: 
Église St.-Jacques porch and market, Illers || Source - http://www.marcel-proust-gesellschaft.de/cpa/illiers-pic
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159

When, before turning to leave the church

     When, before turning to leave the church, I genuflected before the altar, I was suddenly aware of a bitter-sweet scent of almonds emanating from the hawthorn-blossom, and I then noticed on the flowers themselves little patches of a creamier colour, beneath which I imagined that this scent must lie concealed, as the taste of an almond cake lay beneath the burned parts, or that of Mlle Vinteuil's cheeks beneath their freckles. Despite the motionless silence of the hawthorns, this intermittent odour came to me like the murmuring of an intense organic life with which the whole altar was quivering like a hedgerow explored by living antennae, of which I was reminded by seeing some stamens, almost red in colour, which seemed to have kept the springtime virulence, the irritant power of stinging insects now transmuted into flowers.

Narrative Context: 
Mass at Combray church Liveliness of Hawthorns
Image: 
Altar of Église St.-Jacques, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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M. Vinteuil had come in with his daughter

M. Vinteuil had come in with his daughter and had sat down beside us.

Narrative Context: 
Mass at Combray church
Image: 
Église St.-Jacques nave and altar, Illiers-Combray || Source - Jeff Drouin, 7 July 2004
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